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A movie in the time of IPL, is almost like love in the time of war.. !
Unthinkable? No great movies get released for a month or more! What a blow IPL has given to the film industry.

And yet, in the midst of IPL, this Shyam Benegal film, “Well done Abba” released, and I overcame my film-withdrawal symptoms and landed up to see it.

I am glad for the likes of Shyam Benegal and Vishal Bhardwaj, for showing us a real ‘other India’. Away from the gloss of the city life, or the underbelly also (the so-called multiplex ‘life in a metro’ genre), away from the jazzy foreign locales of Chopras and Johars.

Bhardwaj is all about UP, and Benegal this time, takes us to small town Andhra Pradesh.

The film, in terms of story and treatment, is close to an “Office-Office” kind of television serial. Exposing the corruption all over, and the exploitation of the poor, via the various yojanas and all. In that respect, the story is not really such good film material, and might have been better delivered on the small screen.

But add to the story, the elements of viewing life in small town AP, and that adds an additional value element to the cinematic experience. And makes it worth the 2.5 hours.

You end up ‘feeling’ for the Muslim mother of 5 daughters, with the husband working in the city somewhere, and having to face the burden of getting the girls married. And who finds the match with an Arab sheikh to be a good one for the eldest. You also feel disgusted at seeing what you already know – the complete chain of corrupt apathy – which results in the poor not getting a basic requirement like water!

Boman Irani gets to play virtually a solo hero. He proves that he can carry a film on his shoulders. He gets into the skin of the Hyderabadi Muslim, with accent, mannerisms and all, completely.

Minisha Lamba’s is a spunky character and she delivers well. She’s done it again, after Yahaan, where she was a Kashmiri girl in similar circumstances. She needs to be seen in more glamorous roles too. I believe she has it in her, to deliver those as well.

But wonder about the creasy line that comes up on her cheeks, every time she grimaces?! Kind of funny..

The film is slow. No typical masala film elements. So a huge departure from routine stuff. Not everyone will like it. But a good break during IPL as you already have enough of glamour and glitz (Shilpa, Preity, Deepika + cheerleaders) there. So Well Done Abba is refreshing change then..

It seemed like 4 good movies had released this weekend, two in Hindi and two in English. Soon we started hearing so-so reviews of Teen Patti and decent reviews of Karthik Calling Karthik.

So having come back from the sale at Shoppers Stop, and the wife having got her new Bausch and Lomb lenses, as we were contemplating getting the walls repainted with Asian Paints Royal Touch paints, we decided to go ahead and see Karthik Calling Karthik after all.

The titles gave hope. The great combination of Farhan Akhtar, Javed Akhtar, Shankar Ehsan Loy was together again, and that should be good. Once the film started, one of the first things I noticed was the Rubik’s cube. In fact, the cube had a big part in the story, after all! Without any dialogues of course.

Realized that Rubik’s cube seems to be the new “k” symbof for the film industry. The way, Sunita Menon had got everyone starting projects with letter ‘k’, it appears that everyone is now inclined to have a Rubik’s cube in the scene, perhaps for luck. Aamir had it in 3 Idiots, and we know how big that film went. Then Shah Rukh Khan had it with him in MNIK. If claims are to be believed, that one has also gone some distance.

Farhan must have thought that the cube will rescue him too. Unfortunately, the link has been broken now. The cube did not work, after all!

By the way, on the first Sunday for the film, at a prime time show, the theatre was just about 20% full. So business is down, for sure. And the film showed the reason why.

The first half actually was quite breezy. The rising up of the underdog, and his becoming a hero. Usually an entire film is devoted to a story of this type. As I sat and saw the story fly in that first half, that was exactly the question in my mind. What will happen now? The story is already at a point of “happily ever after”. Now what could happen?

As it turned out, not much happened anyway, after the break. The story meandered into some incredulous areas, and it was a dull and boring part most of that second half. Irrespective of where the story went, the subject line was not that gripping to hold the audience’s attention on that one tiny thread, for so long. The end was also quite lame, after all.

So what is the judgement after all? The film is ordinary. The first half is still fine. Quite breezy. Some good banter, in terms of smart dialogues. Decent performances by Farhan and the ravishing Deepika. That’s it, though.

If you must see a Hindi film this weekend, this should still be better than Teen Patti. So go see it. And if you can do without your weekly dose of Hindi films, you will be fine giving this one a skip too.

Oh, even though the phone was an integral part of the story, no telecom brand would have liked to associate. If anything, the film would have led to reduced call usage, and led to lower ARPUs for the telecom brands.

Take care.. Regards – sanjay

It could have been the expectations. There were big statements by SRK and KJo about this being bigger than anything they have done, and what not. About it being a labor of love. And stuff of that kind.

And then the whole SRK-Sena fracas and the question about the possible release of the film in Mumbai. And about how people in Mumbai might be deprived of seeing a masterpiece.

All of this could have been part of the cause of my disappointment.

But only a part. The film just did not deliver and my disappointment came because of that.

But before I get started with my crib sheet, let’s put the good stuff up front. The film was all Shah Rukh Khan. And he does a wonderful job, playing a character with Asperger’s Syndrome. As one with the affliction, the role demands special delivery, and SRK delivers. It is good, it is impressive, as only a role like this can get out of him!

Having said that, if we have to compare with other special characters in films, I would list the following for comparison: Aamir in Ghajani, Hrithik in Koi Mil Gaya, Darsheel Safary in Taare Zameen Par, Ayesha Kapur as the young girl in Black. And I’d believe that all of them did a wonderful job, and SRK in MNIK was somewhere in the middle of this group, certainly not the best there.

But what SRK does well is to constrain his usual style, and put in a tremendously retrained performance as demanded by this role. And which is good.

Kajol looks awesome. Just wish she’d do more films. She has a magnetic personality on screen, and she stands out. Although her role is far smaller than that of SRK, she made it worth seeing the film!

No other character is seriously developed as all of them are bit players compared to SRK. Which is where I start with my crib sheet!

So here’s the exhaustive list of the issues that I have with the film:

1. The point of it! Other than creating sympathy for one suffering from Asperger’s Syndrome, I don’t see the story having any other point. This whole business of all Muslims not being terrorists, I believe, does not need to be told, and when it is told here, appears like one big sermon. For me, the character of Hrithik, and what he had to go through as a city bred Muslim, post Mumbai riots, in the film, Fiza, told a better story! And there must be others like those. MNIK was just one more lecture, of the type you hear from politicians post any terrorist event!

2. The whole point of randomly walking around or going in buses, from one place to another in the US, again without much purpose, also made no sense to me. Ok – what are we trying to prove?

3. Also while I grant the filmmaker, some liberties of stretching facts, when he names places (and he could have easily named other places!), there has to be an understanding of geography. People seem to hop into small town Georgia, all the way from California, or wherever, like it was a 2 hour drive away! Let’s just understand what this distance is like?

4. The scene in the hurricane in Georgia is the most astounding.

– First, in the middle of that hurricane, SRK manages to reach there, like in a hurry, from wherever he was,

– Then, Mamma Jenny asks him to go away! Travel out in that hurricane, back to safety. And like, if he could, why couldn’t they??

– Then the Indian crew of PBS and interns from Star News also wade their way through. And in that hurricane, shoot scenes and project it on live TV. And that’s like the first that the world sees of Khan’s heroices.

– Neither has any kind of official government aid still reached, nor has other mainstream US media reached there. Yet, the place is evidently reachable, as later you see many individual helpers also wade their way in. Including folks from across the country, in California.

Like this place was not a town in modern day USA, but was a small village in Africa, which nobody cared about?!! A little bizarre, I thought.

All in all, there was not much of a story, and these wild extensions were made, to stretch the product to 2.5 hours. Maybe Striker or Road to Sangam drive a better story about the Muslim being, in current times. I haven’t seen either, but have read the storylines, and they seem better. Or a US story with Muslim characters then, is better depicted in thriller, Kurbaan. My Name is Khan does not seem to go anywhere at all!

So except for Shah Rukh’s acting as one with Asperger’s Syndrome, and the rare opportunity these days to see Kajol on screen, there was nothing for me. So much so that I was fidgeting away, tweeting thoughts even while the movie was on. Something I did not need to do in Kurbaan or Harishchandrachi Factory or Ishqiya in recent times. I had gone on a Sunday afternoon, post lunch, with 4 others. Two of them dozed off, for parts of the movie. All this tells me that it did not engross us!

For once, I would propose to those who have not seen the film, that you can safely give it a miss. No, I would not recommend even seeing it once!

When I saw Harishchandrachi Factory, I was reminded of Roald Amundsen, the Norwegian who sailed all the way to the South Pole. Legend has it that when they started off, everyone thought they were going to the North Pole. Only Amundsen knew that he wanted to go to the South Pole, since the North Pole (far nearer to Norway) had already been conquered.

Such are the adventurers of the world, the pioneers, those that go into unchartered waters and create new pathways for the world to follow.

Dadasaheb Phalke, who was India’s first filmmaker, was one such maverick. And the story of his life, Harishchandrachi Factory, is a story of inspiration. To any individual. To a filmmaker, who can owe it to him, to have accelerated the advent of the film industry in India. And most of all, to an entrepreneur.

“Entrepreneur?”, you question?! Yes, indeed. Check my tribute to Dadasaheb Phalke, in terms of the great entrepreneurship learnings that we can pick up from him:

For more information on the movie, check out the official website, and for more about Dadasaheb Phalke, check the wikipedia link or his details on IMDB.

Would love to read your comments on the subject.

Here are my views on Ishqiya directed by Abhishek Chaubey, produced by Vishal Bhardwaj:

And I refer to Gulzar and the music in the film. The best one clearly is ‘dil to bachha hai’. So here are the lyrics and the song.. enjoy:

Ok, I am more excited by the method than the content. I was experimenting with video blogging, and this is the result. My first video blog. Done in one take, without a written script. That has made it long.. like my written blog posts..LOL.

Will be happy to get your feedback. And I will improve. I promise!

Oh, by the way, this post is about jealousy factors amongst Indian males, and how these lead to unnecessary stress.

So what do you think? Tell me.

So the title of the post says it all. 3 Idiots is a wonderful, wonderful movie, and I recommend it to one and all. So if that is all that you wanted to know, read no further.

But if you’d like to know more, here’s the first clear message. That in Rajkumar Hirani, we have one of the finest story tellers in Indian cinema today. From the Munnabhai series to 3 Idiots now, we see Hirani’s films combine some fascinating elements: light-hearted comedy which does not need to be slapstick and yet generates the guffaws in the audience, emotions that manage to wet your eyes, a message to the society, and in the end, a fantastic feel-good factor. As you come out of his movies, you have a smile on your face, which says that it was time very well spent there, on the cinema seat.

Yes, that seems to have become the trademark of Rajkumar Hirani, and which is certainly how 3 Idiots is too. And I am sure that Vidhu Vinod Chopra has a big role to play as well. I suspect that he is not a typical money-providing silent producer, but rather a keen team player shaping out the details of the film, and in that respect, the Hirani-Vidhu Chopra combo is one of the best things going in Indian cinema today. Cheers to them, and may they keep brings good films to us.

3 paras done, and I have not even mentioned the name which is the only name, otherwise read everywhere else, where 3 Idiots is being written about. Yes, Aamir Khan. Undoubtedly, he is brilliant, and the film completely rides on him. Which in some sense, is a shame. I mean, Rang De Basanti was not called 5 Rebels or Dil Chahta Hai was not called 3 Great Friends, and yet Aamir shared a lot of the screen space with others. And here, a film is CALLED 3 Idiots, but for most parts of the movie, it is 1 Idiot, and then perhaps another couple of quarter idiots, making a total of 1.5 Idiots on the whole!! This is just an observation. But from the narrative point of view, or from our enjoying the film itself, it does not matter at all. Aamir works, nay, he rocks! As usual!!

If Rocket Singh celebrated the Salesmen, 3 Idiots celebrates Engineers. As an Engineer myself, the entire education system shown is so completely identifiable. It was almost nostalgic in that sense. The extremely quirky character that was built around Virus or Viru Shahastrabudhe (Boman Irani) seemed exaggerated, but rest assured, in all engineering schools, some such highly quirky characters exist, in the garb of faculty! Boman of couse, is another great member of Hirani’s team, a fabulous actor, and he does a great job.

Madhavan does not get many moments to excel. In a far shorter role, he had made an impact in Rang De Basanti, but here, he appears almost like a hero’s buddy, hanging around with him. Sharman Joshi, the 3rd Idiot, does have his moments. A few high charged scenes show his innate ability on screen, and we wish that he gets better roles to showcase his awesome talent. Kareena, for most parts, is good eye candy, and which is fine with us. If you must have eye candy, get the best available one in the industry today!

3 Idiots has its genesis in a book of Chetan Bhagat’s (which I have not read) but I believe Rajkumar Hirani has taken off from there, and built an amazing story with plots and sub-plots nicely woven in. In fact, this is another Hirani trademark that you see in the Munnabhai movies as well. For those who do not remember, the character and the story of Jimmy Shergill in Munnabhai was not trivial, and in fact, an excellent sub-plot, with its own climax before the real climax! Likewise, Hirani brings in sub-plots here as well. The delivery of Mona Singh’s baby, and what it takes to make it happen, is one such climax before the real climax. Keeps you glued to the seats, and does not allow the story to meander.

Likewise, Hirani has the uncanny ability to create symbolisms that the audience carry with them beyond the film. If it was the “jadoo ki chappi” in Munnabhai, here it is the “All is well” chant. Yes, it has left a mark, and if proof is needed, one has to only check my Facebook wall, to see how many have combined this phrase with their Christmas greetings!!

In conclusion, I would only say that my respect for Rajkumar Hirani has gone up multifold. Yes, the world is talking about Aamir Khan, and he does drive the movie. But I see this even more as a Hirani film, the masterful story telling, the simple and effective manner to entertain, without needing to resort to slapstick, without needing item numbers or unnecessary schmooze, or violence. Without needing to go to Switzerland (like Yash Chopra) or without needing half the industry best in his film (like Karan Johar). Yes, indeed, Hirani delivers in the way cinema should. With a good story. Told and shown well. Simple, but touching the heart, making you laugh, and making you cry a bit as well.

Cheers to Rajkumar Hirani!!

I attended the TiE Entrepreneurship Summit 2009 (#TES09) at Mumbai recently. For a change, I shared my thoughts and observations of the event, via a series of “microblogs” rather than a full blog post. Here’s the compilation of these tweets. As in any blog, to make sense of the sequence, read from bottom to top 🙂

  • Ok,so that about summarizes #tes09 for me.. oh, met a LOT of people. So starting new contacts, new connects on LinkedIn.. lol..
  • Food was good, chai and ccd coffee, goli vada pav with his variants, cookies, biscuits, bottled water.. arrangements were all good. #tes09
  • Attended a Social Media round table for charter members at #tes09 – interesting. Think there is a huge gap in “understanding” SM all over!
  • Conspicuous by their absence at #tes09.. delegates and charter members from US, whom I hv seen in much larger nos previously.. #recession ??
  • The hottest event at #tes09 was surely the R D Burman special evening, with Pradeep Udhas, Manohari-da etc. (check http://bit.ly/emZMm)
  • sorry.. I mean, Ratan Tata – Narayan Murthy inaugural  interaction with Shekhar Gupta #tes09
  • Damp squib event of #tes09 was the Ratan Tata-Nilekani interaction by Shekhar Gupta. Blame it on Shekhar though. Didn’t draw them out much..
  • Other good talks (for me) were Nilekani on UID, Devdutt Patnaik, desi jugaad of Venky (Goli Vada Pav), Kunwer (Su-kam), Nirmalaji.. #tes09
  • The rockstar speaker was Kishor Biyani. Cuts to the chase, knows India, knows consumer, speaks his mind. Very impressed. #tes09
  • Speaking of Ghajni though, was impressed by the style of 1 entrepreneur. After intro, he took pic with everyone he met. Neat. #tes09
  • There was one guy, Marshall, who took the cake. Stuck his hand EIGHT diff times, to make an intro. Ghajni, what? No memory?!! #tes09
  • Good to see mgmt students at #tes09 except at times, they barged in. Wud interrupt a discussion to get yr card. Like #telemarketing 😦
  • In fact, know a few first time visitors who were completely bowled over by the event. #tes09
  • First time visitors to a TiE summit enjoyed the range of the speakers. For regulars, speakers at #tes09 were like – seen them, heard them.
  • So hair fall is a big issue for sure. Not seen so many balding heads under one roof ever as seen at #tes09 lol..
  • The most common word used at #tes09 was jugaad. Already feeling sick of that word.. bit much, but then it trended there!!
  • The attendees at #tes09 were a real mixed bag. Mgmt students, medical docs, strategy advisors, fin cons, besides usual suspects – IT, dotcom
  • Bazaar style road attempt with vada pav, chai, sing-chana, etc. was good. But space was cramped. Not much room for offline meetings #tes09
  • So #tes09 was in MMRDA, in an air-con large tent. But challenges here – uneven ground, non-uniform cooling, temp (though good) toilets..
  • Would have been good to have had #tes09 in a hotel, but I guess, attendee nos. were too high. Oh, for a great Convention Center in Mumbai..
  • #Tes09 in the end, was very well organized, kudos to Sreedhar, Manak, Zee and the rest of the TiE Mumbai gang!
  • Considered doing a blog to summarize observations of #tes09, but think Twitter is better! So here goes..

This blog used to have a different link, before I converted it to http://sanjaymehta.me. The earlier URL still works in fact, and it was and is: https://rdfan.wordpress.com.

To make it more clear, let me write it again, for your benefit at http://RDfan.wordpress.com.

Yes, indeed.. RD-fan..a die-hard fan of R D Burman. That is who I am, and as you can see, I wear my fan-dom on my sleeve.

So when today, at the TiE Summit, when the surprise entertainment program of the evening turned out to be an R D Burman special, I was absolutely thrilled. But to my very pleasant surprise, the thrill was shared by at least half of the 1000 plus audience that seemed to be present there.

So there is obviously a magic about the man, Pancham-da! Even before the program started, the images of Pancham on the big screens created that anticipation and hope that it may be an R D Burman special. And then the program started with an Audio-Visual. Which in fact, showed some of the musicians who were in RD’s troupe, talking about him. As it turned out later, when the lights came on, we saw those same musicians on stage. The ones who had worked hand-in-hand with Panchamda, were to perform for us, right there. That itself was enough to give me goosebumps!

RD’s songs bring back so many memories. The popular numbers that were sung reminded me of Kishore Kumar, Asha Bhosale among singers, Zeenat Aman, Helen, Rajesh Khanna, Randhir Kapoor, Jaya Badhuri and others, amongst the stars on screen. It was truly a time for nostalgia.

Pradeep Udhas, a TiE charter member and a corporate head honcho showed that he had many aces up his sleeves. He sang many a number, in a style akin to Kishore Kumar’s. There were another two singers, one male and one female.

The lady especially picked some of the hottest RD numbers, which not only got people to sing along and tap their feet, but had many of the audience to start dancing, either on their seats or going down towards the open area near the stage.

The numbers that created such magic included Piya Tu Ab To Aaja, Dum Maro Dum, I Love You, Ek Mai Aur Ek Tu, among others.

So what is it about these numbers that people of all ages found fascinating. There were many a young MBAs, who would be no more than 22-23 years of age, and then there were industry veterans, perhaps in their 50s and upwards as well. There were men and there were women, some from outside India as well. I do not believe that even a single person in the hall could stop from tapping his / her feet, and enjoying the great music.

The ‘rock star’ of the evening was an 80-year old!!

Manohari Singh was part of the original troupe of R D Burman. He is all of 80 years of age, but has lungs that would do a 20-year old proud! He plays a mean sax, and he showed his skills aplenty.

There were two exclusives that he led, without support of vocals. Both were huge hits with the crowd.

Specifically, his ‘Gulabi Aankhen Jo Teri Dekhi’ was the biggest hit of the evening, and the audience insisted on getting it more than once. He alongwith his accompanist on the trumpet, had no choice but to bow to the wishes of the audience, and we were able to enjoy that number from him, one more time.

With due respect to all of the various music composers who were contemporaries of Panchamda, or who came after him, it is clear that he stands tall amongst them all. The most number of popular numbers, slow and fast, melodius and zippy, all belong to that one school, that of Rahul Dev Burman. Check out any “purani jeans” type of program on FM radio, and you will see that the most played and repeated songs come from the R D Burman archives, and that is proof that he lives amongst us, and will live forever. Oh, God took him away from us, little too early…his swan song, the masterful 1942 – A Love Story showed that he had much more left to give to us still.

Here is leaving you with a number that had all of us in the hall, rocking away on our seats, and I am sure you will enjoy this one too:

A comparison of two scenarios to drive home a point:

Imaginary Scenario1:

Where:
In the middle of a T20 match between Indian and Sri Lanka

The key players:
Dhoni, Yuvraj, Sehwag, Kirsten and the rest of the team

The scene:
Dilshan has gone hammer and tongs after the Indian bowling. Lot of runs have been scored against the pacers. Indian team at a loss as to what to do now.

The discussion:
“Man, this guy is trouble. How do we stop him?”
“Yeah, really miss Zak at such times.”
“Arre, shall we try spin?”
“Pata nahi whether it will work at all?”
“Yaar, try karke dekhte hai. At this time, we have little choice.”
“Ok, let’s give the ball to Bhajji, then.”

** Off-topic discussion in between **
“Yuvi, where’s your birthday bash yaar?”
“At the Sixer Lounge…; but what if we lose today?”
“Arre yaar, win-lose to hota rehta hai.. after all, it’s cricket. Can’t stop partying because of that!”
** Off-topic discussion over **

What follows:
Bhajji gets Dilshan soon.
Team celebrates.
But in walks Sangakara, the best batsman of spin bowling.
And what follows is a spectacle of unabashed hitting of the spin bowlers. All over the place, fours and sixes galore.

Frantic discussion again:
“Oh my God, where did we land?”
“Yeah, Dilshan gone, but now Sangakara is smashing away!”
“Fours and sixes everywhere. How to stop these?”
In a resigned tone, “Well, we’ll just have to wait for the 20 overs to be completed..sigh!”

And the run feast for Sri Lanka continues.

Not-so-imaginary Scenario 2:

Where:
In the highest political echelons of Delhi, between top cabinet ministers

The key players:
Pranab Mukherjee, Chidambaram, Sonia Gandhi, Manmohan Singh and the rest

The scene:
K. Chandrasekhar Rao is on an indefinite fast for the demand of a separate state of Telangana. Situation volatile. Huge support. Few suicides already.

The discussion:
“Man, this guy is trouble. How do we stop him?”
“Yeah, really miss YSR at such times.”
“Shall we allow Telangana?”
“Pata nahi whether it will work at all?”
“Yaar, try karke dekhte hai. At this time, we have little choice.”
“Ok, PC, go ahead and announce it then.”

** Off-topic discussion in between **
“So, what plans for daughter’s wedding?”
“Booked the Taj..; but what if this AP matter intensifies?”
“Arre yaar, these things will happen in a country. After all, it’s politics. Can’t stop family affairs because of that!”
** Off-topic discussion over **

What follows:
PC announces that Telangana will happen.
KCR breaks his fast. Telangana supporters rejoice. Random suicides, protests stop.
But now anti-Telangana supporters erupt. What follows is a different mayhem. Resignations, more deaths, large scale protests. More lives lost!

Frantic discussion again:
“Oh my God, where did we land?”
“Yeah, KCR taken care, but now rest of Andhra is erupting!”
“MPs, MLAs, resigning, and lots of lives lost too. How to stop these?”
In a resigned tone, “Well, we’ll reverse the announcement, and wait for matter to fade from public memory…sigh!”
And meanwhile, causalities continue.

The cricket scene is probably imaginary. There is in all likelihood, more strategy that they use. And when they still fail, it is only a matter of a win or loss on cricket field.

The political scene is probably more real. Unfortunately. In a high command led dictatorial regime full of sycophants, political mileage is the only motivation. Even at the cost of random slicing of the country into states, notwithstanding public opinion. And when such knee jerk movements from the centre do not work, it is a serious matter of loss of lives. But then are Indian lives any more valuable to a politician than 4s and 6s on a cricket field??

Are we wrong to expect from our politicians, more responsibility of action, more foresight, some concern for the country and its citizens, and less for their personal political gains??