Posts Tagged ‘Roshan’

Confession: I am an ardent fan of Sanjay Leela Bhansali, and my views may be influenced by this fandom and admiration for his work πŸ™‚

He took us to the beaches of Goa in Khamoshi. And then to small town Saurashtra in Hum Dil De Chuke Sanam. Both were still close to ‘reality’. I will skip Devdas, the one aberration from SLB!! From Black to Saawariya and now to Guzaarish, Sanjay Leela Bhansali takes us beyond reality. To sets that have a sense of fantasy about them, to places which are imaginary in nature, and yet not quite Harry-Potteresque..

So although Guzaarish is supposed to be based in Goa, it is a Goa that most of us may not be familiar with – not the house, not the people and their dresses, not exactly the beaches-and-feni Goa! So it may as well have been some European country.

But to me, this mystique about the location, is a part of the enigma of SLB. Harry Potter fans love the magic there, I love the magic of SLB’s vision, his fantasies, the mystical world he creates and shows us.

So the first thing I love about the film are the awesome visual effects. The detailing in the house, the wooden floor, the wall with the various frames, the ceiling with the frames and the mirror, the poster bed, the chairs in the room, the radio station with the old style equipments… creates an impact. Also the few outdoor scenes – the time they get into the car and drive by the countryside. The visuals are captured beautifully.

The subject matter itself, about euthanasia, generates enough debate and hence an interest in the treatment given to it. And all in all, it is a balanced treatment. For one who has been reduced to being a vegetable, the choice to die as much as he has the choice to live. Makes a lot of sense.

SLB gets some good performances from the supporting actors. His old favorite, Shenaz Patel, delivers a spunky performance. We have a surprise in the form of Suhel Seth. While we have seen him dramatize his TV shows, it is pleasantly surprising to see him convert that drama to real acting, in his role of Hrithik’s doc.

I have been disappointed by recent performances of Aishwarya. But back in the safe hands of SLB (after HDDCS), she comes up with a good performance, as the extremely devoted and dedicated nurse, serving Hrithik, for 12 long years!

But that brings us to Hrithik. And the film is all about him.

He is absolutely outstanding. Sad for all those actors who had good runs in films that came from January to November, 2010. Because they may have nursed ambitions of winning awards for the year. But late in the year, comes Guzaarish, and a Hrithik performance that is a class apart. Award-winning, stunning, masterful.

He emotes brilliantly, just with his face. Happiness, sheer joy, laughter, anger, depression, tenacity, fight.. these are all conveyed through the eyes and the twitching of the muscles of the face. Now that is acting.

And this is supported by some fabulous voice modulations while delivering the dialogs. He speaks in different tones, at different times. And which is part of his acting. When a dashing, action hero is rendered to ‘deliver’ his performance with just his face and his voice, all of that energy and skill comes to the fore. Brilliant may yet be an understated word to describe his performance!

The few flashback scenes when he is shown to be performing his magic tricks on stage, only remind us of the amazing physical skills that he undoubtedly possesses, the flexibility of his body, the fantastic dancer that he is! And he sings too.. a skill discovered in this film.

So as I said, other actors of this year, are only competing now for the second spot, in terms of the performance of the year!!

And of course, the film is finally all about the director. And as mentioned at the outset, I am a HUGE fan of Sanjay Leela Bhansali’s. And he shows again, in this film, why I like his work so much. An absolute penchant for detail, striving for perfection, beautiful editing, getting excellent performances from his cast, all that makes him as good as he is. He conveys his vision beautifully.

And this time, he composes the music too. And does a great job for a first time. We are aware that in all his films, he participates deeply into the music creation. This time, he removes the middleman!! And wields the music baton himself, and creates some magical tunes.

Yes, clearly, I loved the film. And I would highly recommend it…


Can somebody help me here? I was never good at history. Are more wars fought over a “woman” than over any other issue? Yes, other issues on which wars could be fought are water, oil, territory, religion, etc. But more lives have been lost in wars and fights over women, I’d believe, than over anything else.

That being a fact, the basic storyline of Kites, the latest from Filmkraft, is not off the mark.

Normally I would have seen a big release of this kind on the Friday or the Saturday, of the release week. But as we had tickets to a fund raiser program, we were scheduled to see it on the morning of Sunday. And that unfortunately, was enough time, for a whole lot of reviews to come out. The “official” ones in media, and the many unofficial ones on Twitter and Facebook. And where I was already a little skeptical about someone like Anurag Basu (who has earlier directed films of a completely different genre, like Murder, Gangster, Life in a Metro, etc.) being able to pull off a cross-over international feel project like this, these early reviews had convinced me that this was going to be a disaster.

With low expectations I went and saw the film. And right through the first half, I was waiting to see the film drop off into randomness or boredom, as people had made me believe it would. But that never happened.

The film kept me engrossed right through.

The theme was simple enough. War fought over a girl. Which includes, as you’d imagine, romance, revenge, violence, etc. That part is simple and straight forward.

But what makes this a good film overall:

– the flow is smooth; going back and forth into flashbacks and now, is handled well

– the screen looks good all through. The sets, the locales in Vegas, Mexico etc. are good to see. The camera work is splendid. The colors are captured well.

– Barbara, though not exactly stunning, fits the role of the Latina beauty well. She emotes well, has a nice smile, and shows good chemistry with Hrithik.

– the length of the film is just right. There is no temptation to make it a typically longdrawn Bollywood style saga. At the current length of a little over 2 hours, it is taut enough to keep you interested.

A few questions remain, though:

– Anurag’s muse from his earlier films, Kangana Ranaut, could have been given some more space. I believe she’s one of the most underrated actresses on Indian screen. I loved her work in Fashion and in Life in a Metro. She’s wasted here.

– One miss: when Hrithik is unloading one car after another, in a moving truck carrying those vehicles, does the driver of the truck not realize anything afoot? Does the load not appear to get lesser suddenly? Don’t they have anything like a rear view mirror?? There’s mayhem going on behind them, with one car rolling off after another. And he drives merrily away??!

– And where does Kabir Bedi disappear at the end? Does he too not come fuming after these guys? Anurag does remeber to bring in Kangana for a fleeting moment at the end. Why not Kabir too?

But these few factors apart, I think its a good film. And the one big reason – obviously – for this is called “Hrithik Roshan”.

So I believe Hrithik can’t sing?! Or can he?

Because it appears that he can pretty much do EVERYTHING ELSE.

He looks good, he’s an amazing actor, and he dances like no one else can, on Indian screen at this time. He can certainly carry the entire film on his broad shoulders.

Kites is a good attempt to make an Indian film with very little India in it. Its good a good Hollywood-esque feel to it.

So why did the critics run it down so much? I really don’t know. Maybe it was a fundamental expectation mismatch. This is not Hrithik’s best. It is not the best to come from the Rakesh Roshan stable. But it is good. Worth a watch.

That said, would request Rakesh Roshan to return to directing Hrithik, for their home productions. PLEASE!!